A service editedlike a paper.
Gloam began with a simple frustration: streaming had become a warehouse. We wanted live television, films, and series held to the standards of a good publication. Considered, legible, and quick. So we built one.
Four principles, held quietly.
Edited, not aggregated
Every shelf is arranged by a person. We would rather show a smaller catalogue we can stand behind than an endless wall nobody can read.
One voice across formats
Live channels, films and series share the same typographic system, the same restraint. Moving between them should feel like turning a page, not switching apps.
Infrastructure you can inspect
Switch times, uptime, and stream-route counts are published, not buried. The status page is public and updated in real time.
No dark patterns
Flat pricing, no promotional countdowns, cancel from the account page in two clicks. The price you see is the price.
Three formats, one shelf.
The catalogue is classified automatically and then arranged by hand. Whatever you came for, it sits beside everything else, edited the same way.
Sport, news, entertainment and international, switched in under a second and a half.
Curated film feeds and on-demand cinema, shelved by season and theme.
Episodic collections with continuity, not an infinite scroll.
Independent, by design.
Subscriber-funded, carrying no advertising, and not affiliated with any broadcaster named in our guides.